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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE II. London. A Room in the Duke of York's Palace. Enter York, and his Duchess7 note.

Duch.
My lord, you told me, you would tell the rest,
When weeping made you break the story off
Of our two cousins coming into London.

York.
Where did I leave?

Duch.
At that sad stop, my lord,
Where rude misgovern'd hands, from windows' tops,
Threw dust and rubbish on king Richard's head.

York.
Then, as I said, the duke, great Bolingbroke,—
Mounted upon a hot and firy steed,
Which his aspiring rider seem'd to know,—
With slow, but stately pace, kept on his course,
While all tongues cried—God save thee, Bolingbroke!
You would have thought the very windows spake,
So many greedy looks of young and old

-- 147 --


Through casements darted their desiring eyes
Upon his visage; and that all the walls,
With painted imag'ry, had said at once8 note,—
Jesu preserve thee! welcome, Bolingbroke!
Whilst he, from one side to the other turning,
Bare-headed, lower than his proud steed's neck,
Bespake them thus,—I thank you, countrymen:
And thus still doing, thus he pass'd along.

Duch.
Alas, poor Richard! where rides he the while?

York.
As in a theatre9 note, the eyes of men,
After a well-grac'd actor leaves the stage,
Are idly bent1 note on him that enters next,
Thinking his prattle to be tedious:
Even so, or with much more contempt, men's eyes
Did scowl on Richard; no man cried, God save him;
No joyful tongue gave him his welcome home:
But dust was thrown upon his sacred head;
Which with such gentle sorrow he shook off,—
His face still combating with tears and smiles,
The badges of his grief and patience2 note

















,—

-- 148 --


That had not God, for some strong purpose, steel'd
The hearts of men, they must perforce have melted,
And barbarism itself have pitied him.
But heaven hath a hand in these events;
To whose high will we bound our calm contents.
To Bolingbroke are we sworn subjects now,
Whose state and honour I for aye allow. Enter Aumerle.

Duch.
Here comes my son Aumerle.

York.
Aumerle that was3 note;
But that is lost, for being Richard's friend,
And, madam, you must call him Rutland now:
I am in parliament pledge for his truth,
And lasting fealty to the new-made king.

Duch.
Welcome, my son: Who are the violets now,

-- 149 --


That strew the green lap of the new-come spring4 note

?

Aum.
Madam, I know not, nor I greatly care not:
God knows, I had as lief be none, as one.

York.
Well, bear you well5 note in this new spring of time,
Lest you be cropp'd before you come to prime.
What news from Oxford? hold those justs and triumphs* note6 note




?

Aum.
For aught I know, my lord, they do.

York.
You will be there, I know.

Aum.
If God prevent it not; I purpose so.

York.
What seal is that, that hangs without thy bosom7 note?
Yea, look'st thou pale? let me see the writing8 note

.

Aum.
My lord, 'tis nothing.

York.
No matter then who sees it:
I will be satisfied, let me see the writing.

-- 150 --

Aum.
I do beseech your grace to pardon me;
It is a matter of small consequence,
Which for some reasons I would not have seen.

York.
Which, for some reasons, sir, I mean to see.
I fear, I fear,—

Duch.
What should you fear?
'Tis nothing but some bond that he is enter'd into
For gay apparel, 'gainst the triumph day.

York.
Bound to himself, what doth he with a bond
That he is bound to? Wife, thou art a fool.—
Boy, let me see the writing.

Aum.
I do beseech you, pardon me; I may not show it.

York.
I will be satisfied; let me see it, I say. [Snatches it, and reads.
Treason! foul treason!—villain! traitor! slave!

Duch.
What is the matter, my lord?

York.
Ho! who is within there? [Enter a Servant.] Saddle my horse.
God for his mercy! what treachery is here!

Duch.
Why, what is it, my lord?

York.
Give me my boots, I say; saddle my horse:—
Now by mine honour, by my life, by my troth,
I will appeach the villain.
[Exit Servant.

Duch.
What's the matter?

York.
Peace, foolish woman.

Duch.
I will not peace:—What is the matter, son?

Aum.
Good mother, be content; it is no more
Than my poor life must answer.

Duch.
Thy life answer!
Re-enter Servant with Boots.

York.
Bring me my boots, I will unto the king.

-- 151 --

Duch.
Strike him, Aumerle.—Poor boy, thou art amaz'd9 note:—
Hence, villain; never more come in my sight.—
[To the Servant.

York.
Give me my boots, I say.

Duch.
Why, York, what wilt thou do?
Wilt thou not hide the trespass of thine own?
Have we more sons? or are we like to have?
Is not my teeming date drunk up with time?
And wilt thou pluck my fair son from mine age,
And rob me of a happy mother's name?
Is he not like thee? is he not thine own?

York.
Thou fond mad woman,
Wilt thou conceal this dark conspiracy?
A dozen of them here have ta'en the sacrament,
And interchangeably set down their hands,
To kill the king at Oxford.

Duch.
He shall be none;
We'll keep him here: Then what is that to him?

York.
Away, fond woman! were he twenty times my son,
I would appeach him.

Duch.
Hadst thou groan'd for him,
As I have done, thou wouldest be more pitiful.
But now I know thy mind; thou dost suspect,
That I have been disloyal to thy bed,
And that he is a bastard, not thy son:
Sweet York, sweet husband, be not of that mind:
He is as like thee as a man may be,
Not like to me, or any of my kin,
And yet I love him.

York.
Make way, unruly woman.
[Exit.

-- 152 --

Duch.
After, Aumerle; mount thee upon his horse;
Spur, post; and get before him to the king,
And beg thy pardon ere he do accuse thee.
I'll not be long behind; though I be old,
I doubt not but to ride as fast as York:
And never will I rise up from the ground,
Till Bolingbroke have pardon'd thee: Away; begone.
[Exeunt.
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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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