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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE I. Rome. A Publick Place. Enter Menenius, Cominius, Sicinius, Brutus, and Others.

Men.
No, I'll not go: you hear, what he hath said,

-- 192 --


Which was sometime his general; who lov'd him
In a most dear particular. He call'd me, father:
But what o' that? Go, you that banish'd him,
A mile before his tent fall down, and kneel
The way into his mercy: Nay, if he coy'd1 note
To hear Cominius speak, I'll keep at home.

Com.
He would not seem to know me.

Men.
Do you hear?

Com.
Yet one time he did call me by my name:
I urg'd our old acquaintance, and the drops
That we have bled together. Coriolanus
He would not answer to: forbad all names;
He was a kind of nothing, titleless,
Till he had forg'd himself a name i' the fire
Of burning Rome.

Men.
Why, so; you have made good work:
A pair of tribunes that have rack'd for Rome2 note



,
To make coals cheap: A noble memory3 note!

Com.
I minded him, how royal 'twas to pardon
When it was less expected: He replied,
It was a bare petition4 note


of a state
To one whom they had punish'd.

-- 193 --

Men.
Very well:
Could he say less?

Com.
I offer'd to awaken his regard
For his private friends: His answer to me was,
He could not stay to pick them in a pile
Of noisome, musty chaff: He said, 'twas folly,
For one poor grain or two, to leave unburnt,
And still to nose the offence.

Men.
For one poor grain or two?
I am one of those; his mother, wife, his child,
And this brave fellow too, we are the grains:
You are the musty chaff; and you are smelt
Above the moon: We must be burnt for you.

Sic.
Nay, pray, be patient: If you refuse your aid
In this so never-heeded help, yet do not
Upbraid us with our distress. But, sure, if you
Would be your country's pleader, your good tongue,
More than the instant army we can make,
Might stop our countryman.

Men.
No; I'll not meddle.

Sic.
Pray you5 note, go to him.

Men.
What should I do?

-- 194 --

Bru.
Only make trial what your love can do
For Rome, towards Marcius.

Men.
Well, and say that Marcius
Return me, as Cominius is return'd,
Unheard; what then?—
But as a discontented friend, grief-shot
With his unkindness? Say't be so?

Sic.
Yet your good will
Must have that thanks from Rome, after the measure
As you intended well.

Men.
I'll undertake it:
I think, he'll hear me. Yet to bite his lip,
And hum at good Cominius, much unhearts me.
He was not taken well; he had not din'd6 note


:
The veins unfill'd, our blood is cold, and then
We pout upon the morning, are unapt
To give or to forgive; but when we have stuff'd
These pipes and these conveyances of our blood
With wine and feeding, we have suppler souls
Than in our priest-like fasts7 note

: therefore I'll watch him
Till he be dieted to my request,
And then I'll set upon him.

Bru.
You know the very road into his kindness,
And cannot lose your way.

Men.
Good faith, I'll prove him,

-- 195 --


Speed how it will. I shall ere long have knowledge
Of my success8 note



. [Exit.

Com.
He'll never hear him.

Sic.
Not?

Com.
I tell you, he does sit in gold9 note






, his eye
Red as 'twould burn Rome; and his injury
The gaoler to his pity. I kneel'd before him;
'Twas very faintly he said, Rise; dismiss'd me
Thus, with his speechless hand: What he would do,
He sent in writing after me; what he would not,
Bound with an oath, to yield to his conditions1 note














:
So, that all hope is vain,

-- 196 --


Unless his noble mother, and his wife;
Who, as I hear, mean to solicit him

-- 197 --


For mercy to his country2 note







. Therefore, let's hence,
And with our fair entreaties haste them on. [Exeunt.

-- 198 --

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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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