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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE V. Alexandria. A Room in the Palace. Enter Cleopatra, Charmian, Iras, and Mardian.

Cleo.
Charmian,—

Char.
Madam.

Cleo.
Ha, ha!—
Give me to drink mandragora9 note






.

-- 208 --

Char.
Why, madam?

Cleo.
That I might sleep out this great gap of time,
My Antony is away.

Char.
You think of him too much.

Cleo.
O, 'tis treason1 note
!

Char.
Madam, I trust, not so.

Cleo.
Thou, eunuch! Mardian!

Mar.
What's your highness' pleasure?

Cleo.
Not now to hear thee sing; I take no pleasure
In aught an eunuch has: 'Tis well for thee,
That, being unseminar'd, thy freer thoughts
May not fly forth of Egypt. Hast thou affections?

Mar.
Yes, gracious madam.

Cleo.
Indeed?

Mar.
Not in deed, madam; for I can do nothing
But what in deed is honest to be done:
Yet have I fierce affections, and think,
What Venus did with Mars.

Cleo.
O Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse! for wot'st thou whom thou mov'st?
The demi-Atlas of this earth, the arm
And burgonet of men2 note




.—He's speaking now,

-- 209 --


Or murmuring, Where's my serpent of old Nile?
For so he calls me; Now I feed myself
With most delicious poison3 note
:—Think on me,
That am with Phœbus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Cæsar4 note



,
When thou wast here above the ground, I was
A morsel for a monarch: and great Pompey
Would stand, and make his eyes grow in my brow;
There would he anchor his aspéct5 note

, and die
With looking on his life. Enter Alexas.

Alex.
Sovereign of Egypt, hail!

Cleo.
How much unlike art thou Mark Antony!
Yet, coming from him, that great medicine hath
With his tinct gilded thee6 note




.—

-- 210 --


How goes it with my brave Mark Antony?

Alex.
Last thing he did, dear queen,
He kiss'd,—the last of many doubled kisses,—
This orient pearl;—His speech sticks in my heart.

Cleo.
Mine ear must pluck it thence.

Alex.
Good friend, quoth he,
Say, the firm Roman to great Egypt sends
This treasure of an oyster; at whose foot
To mend the petty present, I will piece
Her opulent throne with kingdoms; All the east,
Say thou, shall call her mistress. So he nodded,
And soberly did mount an arm-gaunt steed7 note






,

-- 211 --


Who neigh'd so high, that what I would have spoke
Was beastly dumb'd by him8 note




.

-- 212 --

Cleo.
What, was he sad, or merry?

Alex.
Like to the time o' the year between the extremes
Of hot and cold; he was nor sad, nor merry.

Cleo.
O well-divided disposition!—Note him,
Note him, good Charmian, 'tis the man; but note him:
He was not sad; for he would shine on those
That make their looks by his: he was not merry;
Which seem'd to tell them, his remembrance lay
In Egypt with his joy; but between both:
O heavenly mingle!—Be'st thou sad, or merry,
The violence of either thee becomes;

-- 213 --


So does it no man else.—Met'st thou my posts?

Alex.
Ay, madam, twenty several messengers:
Why do you send so thick9 note

?

Cleo.
Who's born that day
When I forget to send to Antony,
Shall die a beggar.—Ink and paper, Charmian.—
Welcome, my good Alexas.—Did I, Charmian,
Ever love Cæsar so?

Char.
O that brave Cæsar!

Cleo.
Be chok'd with such another emphasis!
Say, the brave Antony.

Char.
The valiant Cæsar!

Cleo.
By Isis, I will give thee bloody teeth,
If thou with Cæsar paragon again
My man of men.

Char.
By your most gracious pardon,
I sing but after you.

Cleo.
My sallad days;
When I was green in judgment:—Cold in blood,
To say, as I said then1 note



!—But, come, away:
Get me ink and paper:
He shall have every day a several greeting,
Or I'll unpeople Egypt2 note. [Exeunt

-- 214 --

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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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