Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Next section

ACT II. SCENE I. The Sea-coast. Enter Antonio and Sebastian.

Ant.

Will you stay no longer? nor will you not, that I go with you?

Seb.

By your patience, no: my stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave, that I may bear my evils alone: It were a bad recompense for your love, to lay any of them on you.

-- 379 --

Ant.

Let me yet know of you, whither you are bound.

Seb.

No, 'sooth, sir; my determinate voyage is mere extravagancy. But I perceive in you so excellent a touch of modesty, that you will not extort from me what I am willing to keep in; therefore it charges me in manners the rather to express myself2 note. You must know of me then, Antonio, my name is Sebastian, which I called Rodorigo; my father was that Sebastian of Messaline3 note
, whom I
know, you have heard of: he left behind him, myself, and a sister, both born in an hour. If the heavens had been pleased, 'would we had so ended! but, you, sir, altered that; for, some hour before you took me from the breach of the sea4 note, was my sister drowned.

Ant.

Alas, the day!

Seb.

A lady, sir, though it was said she much resembled me, was yet of many accounted beautiful: but, though I could not, with such estimable wonder5 note

, overfar believe that, yet thus far I will

-- 380 --

boldly publish her, she bore a mind that envy could not but call fair: she is drowned already, sir, with salt water6 note

, though I seem to drown her remembrance
again with more.

Ant.

Pardon me, sir, your bad entertainment.

Seb.

O, good Antonio, forgive me your trouble.

Ant.

If you will not murder me for my love, let me be your servant.

Seb.

If you will not undo what you have done, that is, kill him whom you have recovered, desire it not. Fare ye well at once: my bosom is full of kindness; and I am yet so near the manners of my mother7 note
, that upon the least occasion more, mine
eyes will tell tales of me. I am bound to the count Orsino's court: farewell.

[Exit.

Ant.
The gentleness of all the gods go with thee!
I have many enemies in Orsino's court,
Else would I very shortly see thee there:
But, come what may, I do adore thee so,
That danger shall seem sport, and I will go.
[Exit. SCENE II. A Street. Enter Viola; Malvolio following.

Mal.

Were not you even now with the countess Olivia?

-- 381 --

Vio.

Even now, sir; on a moderate pace I have since arrived but hither.

Mal.

She returns this ring to you, sir; you might have saved me my pains, to have taken it away yourself. She adds moreover, that you should put your lord into a desperate assurance she will none of him: And one thing more; that you be never so hardy to come again in his affairs, unless it be to report your lord's taking of this. Receive it so8 note



.

Vio.

She took the ring of me!—I'll none of it9 note





.

Mal.

Come, sir, you peevishly threw it to her;

-- 382 --

and her will is, it should be so returned: if it be worth stooping for, there it lies in your eye; if not, be it his that finds it.

[Exit.

Vio.
I left no ring with her: What means this lady?
Fortune forbid, my outside have not charm'd her!
She made good view of me; indeed, so much,
That, sure1 note, methought, her eyes had lost her tongue2 note

,
For she did speak in starts distractedly.
She loves me, sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord's ring! why, he sent her none.
I am the man;—If it be so, (as 'tis,)
Poor lady, she were better love a dream.
Disguise, I see, thou art a wickedness,
Wherein the pregnant enemy3 note


does much.
How easy is it, for the proper-false
In women's waxen hearts to set their forms4 note














!

-- 383 --


Alas, our frailty5 note



is the cause, not we;
For, such as we are made of, such we be6 note





.

-- 384 --


How will this fadge7 note










? My master loves her dearly;
And I, poor monster, fond as much on him;
And she, mistaken, seems to dote on me:
What will become of this! As I am man,
My state is desperate for my master's love;
As I am woman, now alas the day!
What thriftless sighs shall poor Olivia breathe?

-- 385 --


O time, thou must untangle this, not I;
It is too hard a knot for me to untie. [Exit. SCENE III. A Room in Olivia's House. Enter Sir Toby Belch, and Sir Andrew Aguecheek.

Sir To.

Approach, sir Andrew: not to be a-bed after midnight, is to be up betimes; and diluculo surgere8 note, thou know'st,—

Sir And.

Nay, by my troth, I know not: but I know, to be up late, is to be up late.

Sir To.

A false conclusion; I hate it as an unfilled can: To be up after midnight, and to go to bed then, is early; so that, to go to bed after midnight, is to go to bed betimes. Do not our lives consist of the four elements9 note





?

Sir And.

'Faith, so they say; but, I think, it rather consists of eating and drinking1 note



.

-- 386 --

Sir To.

Thou art a scholar; let us therefore eat and drink.—Marian, I say!—a stoop2 note of wine!

Enter Clown.

Sir And.

Here comes the fool, i' faith.

Clo.

How now, my hearts? Did you never see the picture of we three3 note


?

Sir To.

Welcome, ass. Now let's have a catch.

Sir And.

By my troth, the fool has an excellent breast4 note







. I had rather than forty shillings I had

-- 387 --

such a leg; and so sweet a breath to sing, as the fool has. In sooth, thou wast in very gracious fooling last night, when thou spokest of Pigrogomitus, of the Vapians passing the equinoctial of Queubus; 'twas very good, i' faith. I sent thee sixpence for thy leman; Hadst it5 note








?

-- 388 --

Clo.

I did impeticos thy gratillity6 note

; for Malvolio's nose is no whipstock: My lady has a white hand, and the Myrmidons are no bottle-ale houses.

Sir And.

Excellent! Why, this is the best fooling, when all is done. Now, a song.

Sir To.

Come on; there is six-pence for you: let's have a song.

Sir And.

There's a testril of me too: if one knight give a—

Clo.

Would you have a love-song, or a song of good life7 note


?

-- 389 --

Sir To.

A love-song, a love-song.

Sir And.

Ay, ay; I care not for good life.


SONG. Clo.
O mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
  That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers' meeting,
  Every wise man's son doth know.

Sir And.

Excellent good, i'faith!

Sir To.

Good, good.


Clo.
What is love? 'tis not hereafter;
Present mirth hath present laughter;
  What's to come, is still unsure:
In delay there lies no plenty8 note



;
Then come kiss me, sweet-and-twenty9 note




,
  Youth's a stuff will not endure.

-- 390 --

Sir And.

A mellifluous voice, as I am true knight.

Sir To.

A contagious breath.

Sir And.

Very sweet and contagious, i' faith.

Sir To.

To hear by the nose, it is dulcet in contagion. But shall we make the welkin dance1 note




indeed? Shall we rouse the night-owl in a catch, that will draw three souls out of one weaver2 note

? shall
we do that?

-- 391 --

Sir And.

An you love me, let's do't: I am dog at a catch.

Clo.

By'r lady, sir, and some dogs will catch well.

Sir And.

Most certain: let our catch be, Thou knave.

Clo.

Hold thy peace, thou knave, knight? I shall be constrain'd in't to call thee knave, knight.

Sir And.

'Tis not the first time I have constrain'd one to call me knave. Begin, fool; it begins, Hold thy peace.

Clo.

I shall never begin, if I hold my peace.

Sir And.

Good, i' faith! Come, begin.

[They sing a catch3 note

[unresolved image link]

.

-- 392 --

Enter Maria.

Mar.

What a catterwauling do you keep here! If my lady have not called up her steward, Malvolio, and bid him turn you out of doors, never trust me.

Sir To.

My lady's a Cataian4 note
, we are politicians;

-- 393 --

Malvolio's a Peg-a-Ramsey5 note

[unresolved image link]

, and Three merry men be we6 note

























. Am not I consanguineous? am I not of

-- 394 --

her blood? Tilly-valley, lady7 note

! There dwelt a
man in Babylon, lady, lady8 note
















!

[Singing.

-- 395 --

Clo.

Beshrew me, the knight's in admirable fooling.

Sir And.

Ay, he does well enough, if he be disposed, and so do I too; he does it with a better grace, but I do it more natural.

Sir. To.
O, the twelfth day of December,— [Singing.

Mar.

For the love o' God, peace.

Enter Malvolio.

Mal.

My masters, are you mad? or what are you? Have you no wit, manners, nor honesty, but to gabble like tinkers at this time of night? Do ye make an alehouse of my lady's house, that ye squeak

-- 396 --

out your coziers' catches9 note



without any mitigation or remorse of voice? Is there no respect of place, persons, nor time, in you?

Sir To.

We did keep time, sir, in our catches. Sneck up1 note






!

-- 397 --

Mal.

Sir Toby, I must be round with you. My lady bade me tell you, that, though she harbours you as her kinsman, she's nothing allied to your disorders. If you can separate yourself and your misdemeanors, you are welcome to the house; if not, an it would please you to take leave of her, she is very willing to bid you farewell.


Sir To.
Farewell, dear heart2 note, since I must needs be gone.

Mar.

Nay, good sir Toby.


Clo.
His eyes do shew his days are almost done.

Mal.

Is't even so?


Sir To.
But I will never die.

Clo.

Sir Toby, there you lie.

Mal.

This is much credit to you.


Sir To.
Shall I bid him go?
[Singing.


Clo.
What an if you do?


Sir To.
Shall I bid him go, and spare not?


Clo.
O no, no, no, no, you dare not.

Sir To.

Out o' time? sir, ye lie3 note



.—Art any more

-- 398 --

than a steward? Dost thou think, because thou art virtuous, there shall be no more cakes and ale4 note?

Clo.

Yes, by Saint Anne; and ginger shall be hot i' the mouth too.

Sir To.

Thou'rt i' the right.—Go, sir, rub your chain with crums5 note





:—A stoop of wine, Maria!

Mal.

Mistress Mary, if you prized my lady's favour at any thing more than contempt, you would not give means for this uncivil rule6 note






; she shall know of it, by this hand.

[Exit.

-- 399 --

Mar.

Go shake your ears.

Sir And.

'Twere as good a deed as to drink when a man's hungry, to challenge him to the field; and then to break promise with him, and make a fool of him.

Sir To.

Do't, knight; I'll write thee a challenge; or I'll deliver thy indignation to him by word of mouth.

Mar.

Sweet sir Toby, be patient for to-night; since the youth of the count's was to-day with my lady, she is much out of quiet. For monsieur Malvolio, let me alone with him: if I do not gull him into a nayword* note 7 note, and make him a common recreation, do not think I have wit enough to lie straight in my bed: I know, I can do it.

Sir To.

Possess us8 note


, possess us; tell us something of him.

-- 400 --

Mar.

Marry, sir, sometimes he is a kind of Puritan.

Sir And.

O, if I thought that, I'd beat him like a dog.

Sir To.

What, for being a puritan? thy exquisite reason, dear knight?

Sir And.

I have no exquisite reason for't, but I have reason good enough.

Mar.

The devil a Puritan that he is, or any thing constantly, but a time pleaser; an affectioned ass9 note, that cons state without book, and utters it by great swarths1 note
: the best persuaded of himself, so crammed,
as he thinks, with excellencies, that it is his ground of faith, that all, that look on him, love him; and on that vice in him will my revenge find notable cause to work.

Sir To.

What wilt thou do?

Mar.

I will drop in his way some obscure epistles of love; wherein, by the colour of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated: I can write very like my lady, your niece; on a forgotten matter we can hardly make distinction of our hands.

Sir To.

Excellent! I smell a device.

Sir And.

I have't in my nose too.

Sir To.

He shall think, by the letters that thou

-- 401 --

wilt drop, that they come from my niece, and that she is in love with him.

Mar.

My purpose is, indeed, a horse of that colour.

Sir And.

And your horse now would make him an ass2 note.

Mar.

Ass, I doubt not.

Sir And.

O, 'twill be admirable.

Mar.

Sport royal, I warrant you: I know, my physick will work with him. I will plant you two, and let the fool make a third, where he shall find the letter; observe his construction of it. For this night, to bed, and dream on the event. Farewell.

[Exit.

Sir To.

Good night, Penthesilea3 note.

Sir And.

Before me, she's a good wench.

Sir To.

She's a beagle, true-bred, and one that adores me; What o' that?

Sir And.

I was adored once too.

Sir To.

Let's to bed, knight.—Thou hadst need send for more money.

Sir And.

If I cannot recover your niece, I am a foul way out.

Sir To.

Send for money, knight4 note; if thou hast her not i' the end, call me Cut5 note



.

-- 402 --

Sir And.

If I do not, never trust me, take it how you will.

Sir To.

Come, come; I'll go burn some sack, 'tis too late to go to bed now: come, knight; come, knight.

[Exeunt. SCENE IV. A Room in the Duke's Palace. Enter Duke, Viola, Curio, and others.

Duke.
Give me some musick:—Now, good morrow, friends:—
Now, good Cesario, but that piece of song,
That old and antique song we heard last night;
Methought, it did relieve my passion much;
More than light airs and recollected6 note



terms,
Of these most brisk and giddy-paced times:—
Come, but one verse.

Cur.

He is not here, so please your lordship, that should sing it.

Duke.

Who was it?

-- 403 --

Cur.

Feste, the jester, my lord; a fool, that the lady Olivia's father took much delight in: he is about the house.

Duke.
Seek him out, and play the tune the while. [Exit Curio.—Musick.
Come hither, boy; If ever thou shalt love,
In the sweet pangs of it, remember me:
For, such as I am, all true lovers are;
Unstaid and skittish in all motions else,
Save, in the constant image of the creature
That is belov'd.—How dost thou like this tune?

Vio.
It gives a very echo to the seat
Where Love is thron'd7 note






.

Duke.
Thou dost speak masterly:
My life upon't, young though thou art, thine eye
Hath stay'd upon some favour that it loves;
Hath it not, boy?

Vio.
A little, by your favour8 note

.

Duke.
What kind of woman is't?

Vio.
Of your complexion.

Duke.
She is not worth thee then. What years, i' faith.

Vio.
About your years, my lord.

-- 404 --

Duke.
Too old, by heaven; Let still the woman take
An elder than herself; so wears she to him,
So sways she level in her husband's heart.
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and worn9 note





,
Than women's are.

Vio.
I think it well, my lord.

Duke.
Then let thy love be younger than thyself,
Or thy affection cannot hold the bent:
For women are as roses; whose fair flower,
Being once display'd, doth fall that very hour.

Vio.
And so they are: alas, that they are so;
To die, even when they to perfection grow!
Re-enter Curio, and Clown.

Duke.
O fellow, come, the song we had last night:—
Mark it, Cesario; it is old, and plain:
The spinsters and the knitters in the sun,
And the free1 note




maids, that weave their thread with bones,

-- 405 --


Do use to chaunt it; it is silly sooth2 note,
And dallies with the innocence of love3 note




,
Like the old age4 note.

Clo.
Are you ready, sir?

Duke.
Ay; pr'ythee, sing.
[Musick.
SONG. Clo.
Come away, come away, death,
And in sad cypress let me be laid5 note






;
  Fly away, fly away6 note, breath;
I am slain by a fair cruel maid.

-- 406 --


My shroud of white, stuck all with yew,
    O, prepare it;
My part of death no one so true
    Did share it7 note
.

-- 407 --


  Not a flower, not a flower sweet,
On my black coffin let there be strown;
  Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
    Lay me, O, where
Sad true lover8 note



never find my grave,
    To weep there.

Duke.
There's for thy pains.

Clo.

No pains, sir; I take pleasure in singing, sir.

Duke.

I'll pay thy pleasure then.

Clo.

Truly, sir, and pleasure will be paid, one time or another.

Duke.

Give me now leave to leave thee.

Clo.

Now, the melancholy god protect thee; and the tailor make thy doublet of changeable taffata, for thy mind is a very opal9 note






!—I would

-- 408 --

have men of such constancy put to sea, that their business might be every thing, and their intent every where1 note

; for that's it, that always makes a good voyage of nothing.—Farewell.

[Exit Clown.

Duke.
Let all the rest give place.— [Exeunt Curio and Attendants.
Once more, Cesario,
Get thee to yon' same sovereign cruelty:
Tell her, my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune hath bestow'd upon her,
Tell her, I hold as giddily as fortune;
But 'tis that miracle, and queen of gems,
That nature pranks her in2 note





, attracts my soul.

-- 409 --

Vio.
But, if she cannot love you, sir?

Duke.
I cannot be so answer'd3 note

.

Vio.
'Sooth, but you must.
Say, that some lady, as, perhaps, there is,
Hath for your love as great a pang of heart
As you have for Olivia: you cannot love her;
You tell her so; Must she not then be answer'd?

Duke.
There is no woman's sides,
Can bide the beating of so strong a passion
As love doth give my heart: no woman's heart
So big, to hold so much: they lack retention.
Alas, their love may be call'd appetite,—
No motion of the liver, but the palate,—
That suffer surfeit, cloyment, and revolt4 note

;

-- 410 --


But mine is all as hungry as the sea5 note

,
And can digest as much: make no compare
Between that love a woman can bear me,
And that I owe Olivia.

Vio.
Aye, but I know,—

Duke.
What dost thou know?

Vio.
Too well what love women to men may owe:
In faith, they are as true of heart as we.
My father had a daughter lov'd a man,
As it might be, perhaps, were I a woman,
I should your lordship.

Duke.
And what's her history?

Vio.
A blank, my lord: She never told her love,
But let concealment, like a worm i' the bud6 note






,
Feed on her damask cheek: she pin'd in thought7 note



;

-- 411 --


And, with a green and yellow melancholy8 note









,
She sat like patience on a monument,
Smiling at grief9 note



10Q0017. Was not this love, indeed?
We men may say more, swear more: but, indeed,
Our shows are more than will; for still we prove
Much in our vows, but little in our love.

Duke.
But died thy sister of her love, my boy?

Vio.
I am all the daughters of my father's house,
And all the brothers too1 note

;—and yet I know not:—
Sir, shall I to this lady?

-- 412 --

Duke.
Ay, that's the theme.
To her in haste; give her this jewel; say,
My love can give no place, bide no denay1 note



. [Exeunt. SCENE V. Olivia's Garden. Enter Sir Toby Belch, Sir Andrew Ague-cheek, and Fabian.

Sir To.

Come thy ways, signior Fabian.

Fab.

Nay, I'll come; if I lose a scruple of this sport, let me be boiled to death with melancholy.

Sir To.

Would'st thou not be glad to have the niggardly rascally sheep-biter come by some notable shame?

Fab.

I would exult, man: you know, he brought me out of favour with my lady, about a bear-baiting here.

Sir To.

To anger him, we'll have the bear again; and we will fool him black and blue:—Shall we not, sir Andrew?

Sir And.

An we do not, it is pity of our lives.

Enter Maria.

Sir To.

Here comes the little villain:—How now, my metal of India2 note









?

-- 413 --

Mar.

Get ye all three into the box-tree: Malvolio's coming down this walk: he has been yonder

-- 414 --

i' the sun, practising behaviour to his own shadow, this half hour: observe him, for the love of mockery; for, I know, this letter will make a contemplative ideot of him. Close, in the name of jesting! [The men hide themselves.] Lie thou there; [throws down a letter.] for here comes the trout that must be caught with tickling3 note.

[Exit Maria. Enter Malvolio.

Mal.

'Tis but fortune; all is fortune. Maria once told me, she did affect me: and I have heard herself come thus near, that, should she fancy, it should be one of my complexion. Besides, she uses me with a more exalted respect, than any one else that follows her. What should I think on't?

Sir To.

Here's an over-weening rogue!

Fab.

O, peace! Contemplation makes a rare turkey-cock of him; how he jets4 note




under his advanced plumes!

Sir And.

'Slight, I could so beat the rogue:—

-- 415 --

Sir To.

Peace, I say.

Mal.

To be count Malvolio;—

Sir To.

Ah, rogue!

Sir And.

Pistol him, pistol him.

Sir To.

Peace, peace!

Mal.

There is example for't; the lady of the strachy5 note

married the yeoman of the wardrobe.

-- 416 --

Sir And.

Fie on him, Jezebel!

Fab.

O, peace! now he's deeply in; look, how imagination blows him6 note

.

Mal.

Having been three months married to her, sitting in my state7 note
,—

-- 417 --

Sir To.

O, for a stone-bow8 note



, to hit him in the eye!

Mal.

Calling my officers about me, in my branched velvet gown; having come from a day-bed9 note








, where I left Olivia sleeping:

Sir To.

Fire and brimstone!

Fab.

O, peace, peace!

Mal.

And then to have the humour of state: and after a demure travel of regard,—telling them, I know my place, as I would they should do theirs,—to ask for my kinsman Toby:

Sir To.

Bolts and shackles!

Fab.

O, peace, peace, peace! now, now.

Mal.

Seven of my people, with an obedient start, make out for him: I frown the while; and, perchance, wind up my watch1 note












, or play with my

-- 418 --

some rich jewel2 note


. Toby approaches; court'sies there to me3 note:

-- 419 --

Sir To.

Shall this fellow live?

Fab.

Though our silence be drawn from us with cars4 note


, yet peace.

-- 420 --

Mal.

I extend my hand to him thus, quenching my familiar smile with an austere regard of control:

Sir To.

And does not Toby take you a blow o' the lips then?

Mal.

Saying, Cousin Toby, my fortunes having cast me on your niece, give me this prerogative of speech:—

Sir To.

What, what?

Mal.

You must amend your drunkenness.

Sir To.

Out, scab!

Fab.

Nay, patience, or we break the sinews of our plot.

Mal.

Besides, you waste the treasure of your time with a foolish knight;

Sir And.

That's me, I warrant you.

Mal.

One Sir Andrew:

Sir And.

I knew, 'twas I; for many do call me fool.

Mal.

What employment have we here5 note?

[Taking up the letter.

Fab.

Now is the woodcock near the gin.

Sir To.

O, peace! and the spirit of humours intimate reading aloud to him!

Mal.

By my life, this is my lady's hand: these be her very C's, her U's, and her T's; and thus makes she her great P's6 note




. It is, in contempt of question, her hand.

-- 421 --

Sir And.

Her C's, her U's, and her T's: Why that?

Mal. [reads]

To the unknown beloved, this, and my good wishes: her very phrases!—By your leave, wax.—Soft7 note

!—and the impressure her Lucrece,

-- 422 --

with which she uses to seal: 'tis my lady: To whom should this be?

Fab.

This wins him, liver and all.

Mal. [reads]

Jove knows, I love:
  But who?
Lips do not move,
No man must know.

No man must know.—What follows? the numbers altered!—No man must know:—If this should be thee, Malvolio?

Sir To.

Marry, hang thee, brock8 note

!


Mal.
I may command, where I adore:
  But silence, like a Lucrece knife,
With bloodless stroke my heart doth gore;
  M, O, A, I, doth sway my life.

Fab.

A fustian riddle!

Sir To.

Excellent wench, say I.

Mal.

M, O, A, I, doth sway my life9 note
.—Nay, but
first, let me see,—let me see,—let me see.

Fab.

What a dish of poison has she dressed him!

Sir To.

And with what wing the stannyel1 note

checks at it!

-- 423 --

Mal.

I may command where I adore. Why, she may command me; I serve her, she is my lady. Why, this is evident to any formal capacity2 note



. There is no obstruction in this;—And the end,—What should that alphabetical position portend? if I could make that resemble something in me,—Softly!— M, O, A, I.

Sir To.

O, ay! make up that:—he is now at a cold scent.

Fab.

Sowter3 note


will cry upon't, for all this, though it be as rank as a fox4 note.

-- 424 --

Mal.

M,—Malvolio;—M,—why, that begins my name.

Fab.

Did not I say, he would work it out? the cur is excellent at faults.

Mal.

M.—But then there is no consonancy in the sequel; that suffers under probation: A should follow, but O does.

Fab.

And O shall end, I hope5 note



.

Sir To.

Ay, or I'll cudgel him, and make him cry, O.

Mal.

And then I comes behind;

Fab.

Ay, an you had any eye behind you, you might see more detraction at your heels, than fortunes before you.

Mal.

M, O, A, I;—This simulation is not as the former:—and yet, to crush this a little, it would bow to me, for every one of these letters are in my name. Soft; here follows prose.—If this fall into thy hand, revolve. In my stars I am above thee; but be not afraid of greatness: Some are born great6 note

, some achieve greatness7 note

, and some have greatness
thrust upon them. Thy fates open their hands; let thy blood and spirit embrace them. And, to inure thyself to what thou art like to be, cast thy humble

-- 425 --

slough, and appear fresh. Be opposite8 note with a kinsman, surly with servants: let thy tongue tang arguments of state; put thyself into the trick of singularity: She thus advises thee, that sighs for thee. Remember who commended thy yellow stockings9 note






;
and wished to see thee ever cross-gartered1 note










: I say,

-- 426 --

remember. Go to; thou art made, if thou desirest to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch fortune's fingers. Farewell. She that would alter services with thee,

The fortunate-unhappy.

Day-light and champian discovers not more1 note

: this
is open. I will be proud, I will read politick authors, I will baffle Sir Toby, I will wash off gross acquaintance, I will be point-de-vice, the very man2 note






.
I do not now fool myself, to let imagination jade me; for every reason excites to this, that my lady loves me. She did commend my yellow stockings of late, she did praise my leg being cross-gartered;

-- 427 --

and in this she manifests herself to my love, and, with a kind of injunction, drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-gartered, even with the swiftness of putting on. Jove, and my stars be praised!—Here is yet a postcript. Thou canst not choose but know who I am. If thou entertainest my love, let it appear in thy smiling; thy smiles become thee well: therefore in my presence still smile, dear my sweet, I pr'ythee. Jove, I thank thee.—I will smile; I will do every thing that thou wilt have me.

[Exit.

Fab.

I will not give my part of this sport for a pension of thousands to be paid from the Sophy3 note

.

Sir To.

I could marry this wench for this device:

Sir And.

So could I too.

Sir To.

And ask no other dowry with her, but such another jest.

Enter Maria.

Sir And.

Nor I neither.

Fab.

Here comes my noble gull-catcher.

Sir To.

Wilt thou set thy foot o' my neck?

Sir And.

Or o' mine either?

Sir To.

Shall I play my freedom at tray-trip4 note


















, and become thy bond-slave?

-- 428 --

Sir And.

I'faith, or I either.

Sir To.

Why, thou hast put him in such a dream, that, when the image of it leaves him, he must run mad.

Mar.

Nay, but say true; does it work upon him?

Sir To.

Like aqua-vitæ5 note with a midwife.

Mar.

If you will then see the fruits of the sport, mark his first approach before my lady: he will come to her in yellow stockings, and 'tis a colour she abhors; and cross-gartered, a fashion she detests6 note; and he will smile upon her, which will now

-- 429 --

be so unsuitable to her disposition, being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt: if you will see it, follow me.

Sir To.

To the gates of Tartar, thou most excellent devil of wit!

Sir And.

I'll make one too.

[Exeunt.
Previous section

Next section


James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
Powered by PhiloLogic