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Child, Lydia Maria Francis, 1802-1880 [1867], A romance of the Republic. (Ticknor and Fields, Boston) [word count] [eaf496T].
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CHAPTER XXVII.

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AFEW days past the middle of the following May, a
carriage stopped before the house of Mr. Joseph
Bright, in Northampton, and Mrs. Delano, with all the
Blumenthal family, descended from it. Mr. Bright received
them at the gate, his face smiling all over. “You're
welcome, ladies,” said he. “Walk in! walk in! Betsey,
this is Mrs. Delano. This is Mrs. Bright, ladies. Things
ain't so stylish here as at your house; but I hope you'll
find'em comfortable.”

Mrs. Bright, a sensible-looking woman, with great moderation
of manner, showed them into a plainly furnished,
but very neat parlor.

“O, how pleasant this is!” exclaimed Mrs. Blumenthal,
as she looked out of one of the side-windows.

The children ran up to her repeating: “How pleasant!
What a nice hedge, mamma! And see that wall all
covered with pretty flowers!”

“Those are moss-pinks,” said Mrs. Bright. “I think
they are very ornamental to a wall.”

“Did you plant them?” inquired Rosa.

“O, no,” said Mr. Bright, who was bringing in various
baskets and shawls. “That's not our garden; but we have
just as much pleasure looking at it as if it was. A great
Southern nabob lives there. He made a heap o'money
selling women and children, and he's come North to spend
it. He's a very pious man, and deacon of the church.”
The children began to laugh; for Mr. Bright drawled out

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his words in solemn tones, and made his broad face look
very comical by trying to lengthen it. “His name is Stillham,”
added he, “but I call him Deacon Steal'em.”

As he passed out, Rosa whispered to her mother, “What
does he mean about a deacon's selling women and children?”

Before an answer could be given, Mr. Bright reappeared
with a bird-cage. “I guess this is a pretty old parrot,”
said he.

“Yes, she is quite old,” replied Mrs. Delano. “But we
are all attached to her; and our house being shut up for the
summer, we were unwilling to trust her with strangers.”

The parrot, conscious of being talked about, turned up
her head sideways, and winked her eye, without stirring
from the corner of the cage, where she was rolled up like
a ball of feathers. Then she croaked out an English
phrase, which she had learned of the children, “Polly
wants a cacker.”

“She shall have a cracker,” said good-nature Mr.
Bright; and Rosa and little Lila were soon furnished with
a cracker and a lump of sugar for Poll.

In a short time they were summoned to tea; and after
enjoying Mrs. Bright's light bread and sweet butter, they
saw no more of their host and hostess for the evening. In
the morning the whole family were up before the hour appointed
for breakfast, and were out in the garden, taking a
look at the environments of their new abode. As Mrs.
Blumenthal was walking among the bushes, Mr. Bright's
beaming face suddenly uprose before her, from where he
was stooping to pluck up some weeds.

“Good morning, ma'am,” said he. “Do hear that old
thief trying to come Paddy over the Lord!”

As he spoke, he pointed his thumb backward toward

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Deacon Stillham's house, whence proceeded a very loud
and monotonous voice of prayer.

Mrs. Blumenthal smiled as she inquired, “What did
you mean by saying he sold women and children?”

“Made his money by slave-trading down in Carolina,
ma'am. I reckon a man has to pray a deal to get himself
out of that scrape; needs to pray pretty loud too, or the
voice of women screaming for their babies would get to
the throne afore him. He don't like us over and above
well, 'cause we're Abolitionists. But there's Betsey calling
me; I mustn't stop here talking.”

Mrs. Blumenthal amused her companions by a repetition
of his remarks concerning the Deacon. She was much entertained
by their host's original style of bubbling over, as
she termed it. After breakfast she said: “There he is in
the garden. Let's go and talk with him, Florimond.”

And taking her parasol, she went out, leaning on her
husband's arm.

“So you are an Abolitionist?” said Mr. Blumenthal, as
they stopped near their host.

Mr. Bright tossed his hat on a bush, and, leaning on his
hoe, sang in a stentorian voice: “I am an Abolitionist; I
glory in the name.—There,” said he, laughing, “I let out
all my voice, that the Deacon might hear. He can pray
the loudest; but I reckon I can sing the loudest. I'll tell
you what first made me begin to think about slavery. You
see I was never easy without I could be doing something
in the musical way, so I undertook to teach singing. One
winter, I thought I should like to run away from Jack
Frost, and I looked in the Southern papers to see if any
of 'em advertised for a singing-master. The first thing
my eye lighted on was this advertisement:—

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“ `Run away from the subscriber a stout mulatto slave, named
Joe; has light sandy hair, blue eyes, and ruddy complexion; is intelligent,
and will pass himself for a white man. I will give one hundred
dollars' reward to whoever will seize him and put him in jail.'

“ `By George!' said I, `that's a description of me. I
didn't know before that I was a mulatto. It'll never do
for me to go there.' So I went to Vermont to teach. I
told 'em I was a runaway slave, and showed 'em the advertisement
that described me. Some of 'em believed me, till
I told 'em it was a joke. Well, it is just as bad for those
poor black fellows as it would have been for me; but that
blue-eyed Joe seemed to bring the matter home to me. It
set me to thinking about slavery, and I have kept thinking
ever since.”

“Not exactly such a silent thinking as the apothecary's
famous owl, I judge,” said Mrs. Blumenthal.

“No,” replied he, laughing. “I never had the Quaker
gift of gathering into the stillness, that's a fact. But I
reckon even that 'pothecary's owl wouldn't be silent if he
could hear and understand all that Betsey has told me about
the goings-on down South. Before I married her, she
went there to teach; but she's a woman o' feeling, and she
couldn't stand it long. But, dear me, if I believed Deacon
Steal'em's talk, I should think it was just about the pleasantest
thing in the world to be sold; and that the niggers
down South had nothing 'pon earth to do but to lick treacle
and swing on a gate. Then he proves it to be a Divine
institution from Scripture, chapter and verse. You may
have noticed, perhaps, that such chaps are always mighty
well posted up about the original designs of Providence;
especially as to who's foreordained to be kept down. He
says God cussed Ham, and the niggers are the descendants

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of Ham. I told him if there was an estate of Ham's
left unsettled, I reckoned't would puzzle the 'cutest lawyer
to hunt up the rightful heirs.”

“I think so,” rejoined Mr. Blumenthal, smiling; “especially
when they've become so mixed up that they advertise
runaway negroes with sandy hair, blue eyes, and ruddy
complexion.”

“When the Deacon feels the ground a little shaky under
him,” resumed Mr. Bright, he leans on his minister down
in Carolina, who, he says, is a Northern man, and so pious
that folks come from far and near to get him to pray for
rain in a dry time; thinking the prayers of such a godly
man will be sure to bring down the showers. He says that
man preached a sermon that proved niggers were born to
be servants of servants unto their brethren. I told him I
didn't doubt that part of the prophecy was fulfilled about
their serving their brethren; and I showed him the advertisement
about sandy hair and blue eyes. But as for being
servants of servants, I never heard of slaveholders serving
anybody except — a chap whose name it ain't polite to
mention before ladies. As for that preacher, he put me
in mind of a minister my father used to tell of. He'd been
to a wedding, and when he come home he couldn't light
his lamp. After trying a long spell he found out that the
extinguisher was on it. I told the deacon that ministers
down South had put an extinguisher on their lamp, and
couldn't be expected to raise much of a light from it to
guide anybody's steps.”

“Some of the Northern ministers are not much better
guides, I think,” rejoined Mr. Blumenthal.

“Just so,” replied his host; “ 'cause they've got the
same extinguisher on; and ain't it curious to see 'em

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puffing and blowing at the old lamp? I get 'most tired of
talking common sense and common feeling to the Deacon.
You can't get it into him, and it won't stay on him. You
might as well try to heap a peck o' flax-seed. He keeps
eating his own words, too; though they don't seem to agree
with him, neither. He maintains that the slaves are perfectly
contented and happy; and the next minute, if you
quote any of their cruel laws, he tells you they are obliged
to make such laws or else they would rise and cut their
masters' throats. He says blacks and whites won't mix
any more than oil and water; and the next minute he
says if the slaves are freed they'll marry our daughters.
I tell him his arguments are like the Kilkenny cats, that
ate one another up to the tip o' their tails. The Deacon
is sensible enough, too, about many other subjects;
but he nor no other man can saw straight with a crooked
saw.”

“It's an old saying,” rejoined Blumenthal, “that, when
men enter into a league with Satan, he always deserts
them at the tightest pinch; and I've often observed he's
sure to do it where arguments pinch.”

“I don't wonder you are far from being a favorite with
the Deacon,” remarked Flora; “for, according to your own
account, you hit him rather hard.”

“I suppose I do,” rejoined Mr. Bright. “I'm always in
earnest myself; and when I'm sure I'm in the right, I
always drive ahead. I soon get out o' patience trying to
twist a string that ain't fastened at nary eend, as an old
neighbor of my father used to say. I suppose some of us
Abolitionists are a little rough at times; but I reckon the
coarsest of us do more good than the false prophets that
prophesy smooth things.”

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“You said Mrs. Bright had been a teacher in the South.
What part of the South was it?” inquired Mrs. Blumenthal.

“She went to Savannah to be nursery governess to
Mrs. Fitzgerald's little girl,” replied he. “But part of the
time she was on an island where Mr. Fitzgerald had a cotton
plantation. I dare say you've heard of him, for he
married the daughter of that rich Mr. Bell who lives in
your street. He died some years ago; at least they suppose
he died, but nobody knows what became of him.”

Flora pressed her husband's arm, and was about to inquire
concerning the mystery, when Mrs. Delano came,
hand in hand with Rosa and Lila, to say that she had
ordered the carriage and wanted them to be in readiness to
take a drive.

They returned to a late dinner; and when they rose from
a long chat over the dessert, Mr. Bright was not to be
found, and his wife was busy; so further inquiries concerning
Mr. Fitzgerald's fate were postponed. Mr. Blumenthal
proposed a walk on Round Hill; but the children
preferred staying at home. Rosa had a new tune she
wanted to practise with her guitar; and her little sister
had the promise of a story from Mamita Lila. So Mr.
Blumenthal and his wife went forth on their ramble alone.
The scene from Round Hill was beautiful with the tender
foliage of early spring. Slowly they sauntered round from
point to point, pausing now and then to look at the handsome
villages before them, at the blooming peach-trees, the
glistening river, and the venerable mountains, with feathery
crowns of violet cloud.

Suddenly a sound of music floated on the air; and they
stood spell-bound, with heads bowed, as if their souls were
hushed in prayer. When it ceased, Mr. Blumenthal drew

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a long breath, and said, “Ah! that was our Mendelssohn.”

“How exquisitely it was played,” observed his wife,
“and how in harmony it was with these groves! It sounded
like a hymn in the forest.”

They lingered, hoping again to hear the invisible musician.
As they leaned against the trees, the silver orb of
the moon ascended from the horizon, and rested on the
brow of Mount Holyoke; and from the same quarter
whence Mendelssohn's “Song without Words” had proceeded,
the tones of “Casta Diva” rose upon the air.
Flora seized her husband's arm with a quick, convulsive
grasp, and trembled all over. Wondering at the intensity
of her emotion, he passed his arm tenderly round her waist
and drew her closely to him. Thus, leaning upon his
heart, she listened with her whole being, from the inmost
recesses of her soul, throughout all her nerves, to her very
fingers' ends. When the sounds died away, she sobbed
out: “O, how like Rosa's voice! It seemed as if she had
risen from the dead.”

He spoke soothingly, and in a few minutes they descended
the hill and silently wended their way homeward.
The voice that had seemed to come from another world
invested the evening landscape with mystical solemnity.
The expression of the moon seemed transfigured, like a
great clairvoyant eye, reflecting light from invisible spheres,
and looking out upon the external world with dreamy abstraction.

When they arrived at their lodgings, Flora exclaimed:
“O Mamita Lila, we have heard such heavenly music,
and a voice so wonderfully like Rosa's! I don't believe I
shall sleep a wink to-night.”

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“Do you mean the Aunt Rosa I was named for?” inquired
her daughter.

“Yes, Rosen Blumen,” replied her mother; “and I
wish you had gone with us, that you might have an idea
what a wonderful voice she had.”

This led to talk about old times, and to the singing of
various airs associated with those times. When they retired
to rest. Flora fell asleep with those tunes marching
and dancing through her brain; and, for the first time during
many years, she dreamed of playing them to her
father, while Rosabella sang.

The next morning, when the children had gone out to
ramble in the woods with their father, her memory being
full of those old times, she began to say over to the parrot
some of the phrases that formerly amused her father and
Rosabella. The old bird was never talkative now; but
when urged by Flora, she croaked out some of her familiar
phrases.

“I'm glad we brought pauvre Manon with us,” said
Mrs. Blumenthal. “I think she seems livelier since she
came here. Sometimes I fancy she looks like good
Madame Guirlande. Those feathers on her head make
me think of the bows on Madame's cap. Come, jolie
Manon,
I'll carry you out doors, where the sun will shine
upon you. You like sunshine, don't you, Manon?”

She took the cage, and was busy fastening it on the
bough of a tree, when a voice from the street said, “Bon
jour, jolie Manon!”

The parrot suddenly flapped her wings, gave a loud
laugh, and burst into a perfect tornado of French and
Spanish phrases: “Bon jour! Buenos dias! Querida mia!
Joli diable! Petit blanc! Ha! ha!”

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Surprised at this explosion, Mrs. Blumenthal looked
round to discover the cause, and exclaiming, “Oh ciel!”
she turned deadly pale, and rushed into the house.

“What is the matter, my child? inquired Mrs. Delano,
anxiously.

“O Mamita, I've seen Rosa's ghost,” she replied, sinking
into a chair.

Mrs. Delano poured some cologne on a handkerchief, and
bathed her forehead, while she said, “You were excited
last night by the tune you used to hear your sister sing;
and it makes you nervous, dear.”

While she was speaking, Mrs. Bright entered the room,
saying, “Have you a bottle of sal volatile you can lend
me? A lady has come in, who says she is a little faint.”

“I will bring it from my chamber,” replied Mrs. Delano.
She left the room, and was gone some time. When she
returned, she found Mrs. Blumenthal leaning her head on
the table, with her face buried in her hands. “My child,
I want you to come into the other room,” said Mrs. Delano.
“The lady who was faint is the famous Mrs. King, from
Boston. She is boarding on Round Hill, and I suppose it
was her voice you heard singing. She said she had seen a
lady come into this house who looked so much like a deceased
relative that it made her feel faint. Now don't be
excited, darling; but this lady certainly resembles the
sketch you made of your sister; and it is barely possible—”

Before she could finish the sentence, Flora started up,
and flew into the adjoining room. A short, quick cry, “O
Floracita!” “O Rosabell!” and they were locked in
each other's arms.

After hugging and kissing, and weeping and laughing by

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turns, Mrs. King said: “That must have been Madame's
parrot. The sight of her made me think of old times, and
I said, `Bon jour, jolie Manon!' Your back was toward
me, and I should have passed on, if my attention had not
been arrested by her wild outpouring of French and Spanish.
I suppose she knew my voice.”

“Bless the dear old bird!” exclaimed Flora. “It was
she who brought us together again at last. She shall come
in to see you.”

They went out to bring in their old pet. But jolie
Manon
was lying on the floor of her cage, with eyes closed
and wings outstretched. The joyful surprise had been
too much for her feeble old nerves. She was dead.

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Child, Lydia Maria Francis, 1802-1880 [1867], A romance of the Republic. (Ticknor and Fields, Boston) [word count] [eaf496T].
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