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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE VI. A Chamber in a Farm-House, adjoining the Castle. Enter Gloster, Lear, Kent, Fool, and Edgar.

Glo.

Here is better than the open air; take it thankfully: I will piece out the comfort with what addition I can: I will not be long from you.

Kent.

All the power of his wits has given way to his impatience:—The gods reward your kindness!

[Exit Gloster.

Edg.

Frateretto calls me; and tells me, Nero is an angler9 note

in the lake of darkness. Pray, innocent1 note





, and beware the foul fiend.

-- 169 --

Fool.

Pr'ythee, nuncle, tell me2 note



, whether a madman be a gentleman, or a yeoman?

Lear.

A king, a king!

Fool3 note.

No; he's a yeoman, that has a gentleman to his son: for he's a mad yeoman, that sees his son a gentleman before him.

Lear.
To have a thousand with red burning spits
Come whizzing in upon them4 note



:—

-- 170 --

Edg.4 note
The foul fiend bites my back.

Fool.

He's mad, that trusts in the tameness of a wolf, a horse's health5 note






, a boy's love, or a whore's oath.

Lear.
It shall be done, I will arraign them straight:—
Come, sit thou here, most learned justicer6 note

;— [To Edgar.
Thou, sapient sir, sit here. [To the Fool.]—Now, you she foxes!—

Edg.
Look, where he stands and glares!—
Wantest thou eyes7 note at trial, madam8 note?

-- 171 --



Come o'er the bourn, Bessy, to me9 note















:—


Fool.
Her boat hath a leak,
  And she must not speak
Why she dares not come over to thee.

-- 172 --

Edg.

The foul fiend haunts poor Tom in the voice of a nightingale1 note. Hopdance cries in Tom's belly2 note

for two white herring3 note. Croak not, black angel; I have no food for thee.

-- 173 --

Kent.
How do you, sir? Stand you not so amaz'd:
Will you lie down and rest upon the cushions?

Lear.
I'll see their trial first:—Bring in the evidence.—
Thou robed man of justice, take thy place;— [To Edgar.
And thou, his yoke-fellow of equity, [To the Fool.
Bench by his side:—You are of the commission,
Sit you too.
[To Kent.

Edg.
Let us deal justly.

Sleepest, or wakest thou, jolly shephérd4 note


?
  Thy sheep be in the corn;
And for one blast of thy minikin mouth,
  Thy sheep shall take no harm.
Pur5 note! the cat is grey.

-- 174 --

Lear.

Arraign her first; 'tis Goneril. I here take my oath before this honourable assembly, she kicked the poor king her father.

Fool.
Come hither, mistress; Is your name
Goneril?

Lear.

She cannot deny it.

Fool.

Cry you mercy, I took you for a joint-stool6 note.

Lear.
And here's another, whose warp'd looks proclaim
What store her heart is made of.—Stop her there!
Arms, arms, sword, fire!—Corruption in the place!
False justicer, why hast thou let her 'scape?

Edg.
Bless thy five wits!

Kent.
O pity!—Sir, where is the patience now,
That you so oft have boasted to retain?

Edg.
My tears begin to take his part so much,
They'll mar my counterfeiting.
[Aside.

Lear.
The little dogs and all,
Tray, Blanch, and Sweet-heart, see, they bark at me7 note
.

Edg.
Tom will throw his head at them:—
Avaunt, you curs!



Be thy mouth or black or white8 note,
Tooth that poisons if it bite;
Mastiff, grey-hound, mongrel grim,
Hound, or spaniel, brach, or lym9 note






;

-- 175 --


Or bobtail tike1 note
, or trundle-tail2 note



;
Tom will make them3 note weep and wail:

-- 176 --


For, with throwing thus my head,
Dogs leap the hatch, and all are fled.

Do de, de, de. Sessa. Come4 note






, march to wakes and fairs, and market towns:—Poor Tom, thy horn is dry5 note

.

-- 177 --

Lear.

Then let them anatomize Regan, see what breeds about her heart: Is there any cause in nature, that makes these hard hearts* note?—You, sir,

-- 178 --

I entertain you for one of my hundred; only, I do not like the fashion of your garments: you will say, they are Persian attire6 note

* note; but let them be changed.

[To Edgar.

Kent.

Now, good my lord, lie here7 note
, and rest
awhile.

Lear.

Make no noise, make no noise; draw the curtains: So, so, so: We'll go to supper i' the morning: So, so, so.

Fool.

And I'll go to bed at noon8 note.

Re-enter Gloster.

Glo.
Come hither, friend: Where is the king my master?

Kent.
Here, sir; but trouble him not, his wits are gone.

Glo.
Good friend, I pr'ythee take him in thy arms;
I have o'er-heard a plot of death upon him:
There is a litter ready; lay him in't,
And drive towards Dover, friend, where thou shalt meet
Both welcome and protection. Take up thy master:
If thou should'st dally half an hour, his life,

-- 179 --


With thine, and all that offer to defend him,
Stand in assured loss: Take up, take up9 note;
And follow me, that will to some provision
Give thee quick conduct.

[Kent.
Oppress'd nature sleeps1 note

:—
This rest might yet have balm'd thy broken senses2 note





,
Which, if convenience will not allow,
Stand in hard cure.—Come, help to bear thy master;
Thou must not stay behind. [To the Fool.

Glo.
Come, come, away.
[Exeunt Kent, Gloster, and the Fool, bearing off the King.

Edg.
When we our betters see bearing our woes,
We scarcely think our miseries our foes.

-- 180 --


Who alone suffers, suffers most i' the mind;
Leaving free things3 note, and happy shows, behind:
But then the mind much sufferance doth o'erskip,
When grief hath mates, and bearing fellowship4 note




.
How light and portable my pain seems now,
When that which makes me bend, makes the king bow;
He childed, as I father'd!—Tom, away:
Mark the high noises5 note





; and thyself bewray6 note





,

-- 181 --


When false opinion, whose wrong thought defiles thee7 note,
In thy just proof, repeals, and reconciles thee.
What will hap more to-night, safe scape the king!
Lurk, lurk.] [Exit.
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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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