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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE II. Before Gloster's Castle. Enter Kent and Steward, severally.

Stew.
Good dawning to thee, friend6 note



: Art of the house7 note?

-- 86 --

Kent.
Ay.

Stew.
Where may we set our horses?

Kent.
I' the mire.

Stew.
Pr'ythee, if thou love me, tell me.

Kent.
I love thee not.

Stew.
Why, then I care not for thee.

Kent.

If I had thee in Lipsbury pinfold8 note








, I would make thee care for me.

-- 87 --

Stew.

Why dost thou use me thus? I know thee not.

-- 88 --

Kent.

Fellow, I know thee.

Stew.

What dost thou know me for?

Kent.

A knave; a rascal, an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound9 note, filthy worsted-stocking knave; a lily-liver'd, action-taking knave1 note; a whoreson, glass-gazing, superserviceable, finical* note rogue2 note; one-trunk-inheriting slave; one that wouldest be a bawd, in way of good service, and art nothing but the composition of a knave, beggar, coward, pandar, and the son and heir of a mongrel bitch: one whom I will beat into clamorous whining, if thou deniest the least syllable of thy addition3 note.

Stew.

Why, what a monstrous fellow art thou, thus to rail on one, that is neither known of thee, nor knows thee?

Kent.

What a brazen-faced varlet art thou, to deny thou knowest me? Is it two days ago, since I tripped up thy heels, and beat thee, before the king? Draw, you rogue: for, though it be night, the moon shines; I'll make a sop o'the moonshine of you4 note








: Draw, you whoreson cullionly barber-monger5 note

, draw.

[Drawing his Sword.

-- 89 --

Stew.

Away, I have nothing to do with thee.

Kent.

Draw, you rascal: you come with letters against the king; and take vanity the puppet's part6 note


,

-- 90 --

against the royalty of her father: Draw, you rogue, or I'll so carbonado your shanks:—draw, you rascal; come your ways.

Stew.

Help, ho! murder! help!

Kent.

Strike, you slave; stand, rogue, stand; you neat slave7 note


, strike.

[Beating him.

Stew.

Help, ho! murder! murder!

Enter Edmund, Cornwall, Regan, Gloster, and Servants.

Edm.

How now? What's the matter? Part.

Kent.

With you, goodman boy, if you please; come, I'll flesh you; come on, young master.

Glo.
Weapons! arms! What's the matter here?

Corn.
Keep peace, upon your lives;
He dies, that strikes again8 note

: What is the matter?

Reg.

The messengers from our sister and the king.

Corn.

What is your difference? speak.

Stew.

I am scarce in breath, my lord.

Kent.

No marvel, you have so bestirred your valour. You cowardly rascal, nature disclaims in thee9 note






; a tailor made thee.

-- 91 --

Corn.

Thou art a strange fellow: a tailor make a man?

Kent.

Ay, a tailor, sir: a stone-cutter, or a painter, could not have made him so ill, though they had been but two hours at the trade.

Corn.
Speak yet, how grew your quarrel?

Stew.
This ancient ruffian, sir, whose life I have spar'd,
At suit of his grey beard,—

Kent.

Thou whoreson zed! thou unnecessary letter1 note

!—My lord, if you will give me leave, I will tread this unbolted villain2 note into mortar3 note



, and daub

-- 92 --

the wall of a jakes with him.—Spare my grey beard, you wagtail?

Corn.
Peace, sirrah!
You beastly knave, know you no reverence?

Kent.
Yes, sir; but anger has a privilege4 note
.

Corn.
Why art thou angry?

Kent.
That such a slave as this should wear a sword,
Who wears no honesty. Such smiling rogues as these5 note,
Like rats, oft bite the holy cords atwain
Which are too intrinse t'unloose6 note








: smooth every passion7 note







-- 93 --


That in the natures of their lords rebels;
Bring oil to fire, snow to their colder moods;
Renege8 note, affirm, and turn their halcyon beaks
With every gale and vary of their masters9 note





,

-- 94 --


As knowing nought9 note, like dogs, but following.—
A plague upon your epileptick visage1 note!
Smile you my speeches, as I were a fool?
Goose, if I had you upon Sarum plain,
I'd drive ye cackling home to Camelot2 note





.

Corn.
What, art thou mad, old fellow?

Glo.
How fell you out?
Say that.

Kent.
No contraries hold more antipathy,
Than I and such a knave3 note

.

Corn.
Why dost thou call him knave? What's his offence?

Kent.
His countenance likes me not4 note



.

-- 95 --

Corn.
No more, perchance, does mine, or his, or hers.

Kent.
Sir, 'tis my occupation to be plain;
I have seen better faces in my time,
Than stands on any shoulder that I see
Before me at this instant.

Corn.
This is some fellow,
Who, having been prais'd for bluntness, doth affect
A saucy roughness; and constrains the garb,
Quite from his nature5 note
: He cannot flatter, he!—
An honest mind and plain,—he must speak truth:
An they will take it, so; if not, he's plain.
These kind of knaves I know, which in this plainness
Harbour more craft, and more corrupter ends,
Than twenty silly ducking observants6 note


,
That stretch their duties nicely.

Kent.
Sir, in good sooth, in sincere verity,
Under the allowance of your grand aspéct,
Whose influence, like the wreath of radiant fire
On flickering Phœbus' front7 note







,—

-- 96 --

Corn.
What mean'st by this?

Kent.

To go out of my dialect, which you discommend so much. I know, sir, I am no flatterer: he that beguiled you, in a plain accent, was a plain knave; which, for my part, I will not be, though I should win your displeasure to entreat me to it8 note.

Corn.
What was the offence you gave him?

Stew.
I never gave him any9 note


:
It pleas'd the king his master, very late,
To strike at me, upon his misconstruction;
When he, conjunct1 note, and flattering his displeasure,
Tripp'd me behind; being down, insulted, rail'd,
And put upon him such a deal of man,
That worthy'd him, got praises of the king
For him attempting who was self-subdu'd;

-- 97 --


And, in the fleshment2 note of this dread exploit,
Drew on me here again3 note


.

Kent.
None of these rogues, and cowards,
But Ajax is their fool4 note







.

Corn.
Fetch forth the stocks, ho!
You stubborn ancient knave5 note

, you reverend braggart,
We'll teach you—

Kent.
Sir, I am too old to learn:

-- 98 --


Call not your stocks for me: I serve the king;
On whose employment I was sent to you:
You shall do small respect, show too bold malice
Against the grace and person of my master,
Stocking* note his messenger.

Corn.
Fetch forth the stocks:
As I've life and honour, there shall he sit till noon.

Reg.
Till noon! till night, my lord; and all night too.

Kent.
Why, madam, if I were your father's dog,
You should not use me so.

Reg.
Sir, being his knave, I will.
[Stocks brought out6 note.

Corn.
This is a fellow of the self-same colour7 note
Our sister speaks of:—Come, bring away the stocks.

Glo.
Let me beseech your grace not to do so:
[His fault8 note is much, and the good king his master
Will check him for't: your purpos'd low correction
Is such, as basest and contemned'st wretches9 note

,
For pilferings and most common trespasses,
Are punish'd with:] the king must take it ill† note,
That he's so slightly valued in his messenger,
Should have him thus restrain'd.

-- 99 --

Corn.
I'll answer that.

Reg.
My sister may receive it much more worse,
To have her gentleman abus'd, assaulted,
For following her affairs1 note.—Put in his legs.— [Kent is put in the Stocks2 note

.
Come, my good lord; away. [Exeunt Regan and Cornwall.

Glo.
I am sorry for thee, friend; 'tis the duke's pleasure,
Whose disposition, all the world well knows,
Will not be rubb'd, nor stopp'd3 note: I'll entreat for thee.

Kent.
Pray, do not, sir: I have watch'd, and travell'd hard;
Some time I shall sleep out, the rest I'll whistle.
A good man's fortune may grow out at heels:
Give you good morrow!

Glo.
The duke's to blame in this; 'twill be ill taken.
[Exit.

Kent.
Good king, that must approve the common saw4 note



!

-- 100 --


Thou out of heaven's benediction com'st
To the warm sun!
Approach, thou beacon to this under globe,
That by thy comfortable beams I may
Peruse this letter!—Nothing almost sees miracles5 note,
But misery;—I know, 'tis from Cordelia6 note





;

-- 101 --


Who hath most fortunately been inform'd
Of my obscured course; and shall find time
From this enormous state,—seeking to give
Losses their remedies7 note





:—All weary and o'erwatch'd,

-- 102 --


Take vantage, heavy eyes, not to behold
This shameful lodging.
Fortune, good night; smile once more; turn thy wheel! [He sleeps.

-- 103 --

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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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